The violins tuning without a care in the first few moments, the slow mock continuo o f the highly dissonant bassoon counterpoint, and the later high pitch of a clarinet all told seem to be broad, bold strokes on a tack of sound. Ideas come floating to the front of the imaginary "stage", and knock off back behind newer themes. The percussion also adds considerably to the complexness of the piece in the later minutes, stomping along without any wonder for the classical violin or ...If you want to get a full essay, order it on our website: OrderCustomPaper.com
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