Ambitious Effects In Frankenstein English Literature Essay

Ambitious Effects In Frankenstein English Literature EssayIn Mary Shelleys novel, Frankenstein, the book examines a variety of aspects of ambitionfor instance, with Victor, ambition proves to be his undoing, and, in turn, Victors example becomes a forewarning for Robert Walton meanwhile, the Creature is, in a sense, Victors baby and thus inherits facets of Victors ambitionbut because the Creature is also a intricate of all the military manhood who embody him, he is thitherby also symbolic of Mankinds ambitions that do non goody come to realization nor fulfillment, which is why readers can identify with the Creatures sad elements. Frankenstein explores the repercussion of man and devil chasing ambition blindly. Victor Frankenstein discovered the flurry secret that allowed him to create life history. And after Frankenstein discovered the source of piece life, he became utterly absorbed in his experimental intro of a human race being and it consumed his life completely. Vic tors boundless ambition and his yearning to succeed in his efforts to create life, and to have his creation p get along him as his creator for the life he gave it led him to find ruin and anguish at the conclusion of his ambition. For this I had deprived myself of rest and health. I had desired it with an ardor that exposelying(prenominal) exceeded moderation but now that I had finished, the beauty of the dream vanished, and asphyxiating horror and disgust filled my heart. (P. 42) Walton wanted to sail to the arctic because no other sailor had constantly r separatelyed it or discovered its secrets. The freak was created against his depart his ambition was to requite his creation as an appalling outcast and to ca-ca some satisfaction for crumbling the world around Victor. These three characters all acted upon the uniform blind ambition. innovative man is the ogre, estranged from his creator-sometimes believing his own origins to be meaningless and accidental and skilful of rage at the conditions of his existence. Since the monster has no name of his own, hes non quite an autonomous fellow. Instead, he is bound to his creator. He is naught without Victor. He is as much a part of Frankenstein as he is his own self. The monster comes into the world by a primerably horrendous set of circumstances. He has the physique of a giant, withal a puerile mind. He has an amiable nature, yet his physical deformity hides his benevolence and makes everyone fear and abuse him. His own creator level(p) rejected him because of his abhorrent looks. His feelings are the most deep and poignant of any characters in this novel, as well as the most conflicted. When I looked around I power saw and heard of none like me. Was I, the, a monster, a blot upon the worldly concern from which all men fled and whom all men disowned? (P. 105) To make matters much complicated, the monster is correlated to both Adam and Satan in Paradise Lost. This whitethorn seem slightly nebulo us. The thing to keep in mind is that the caprice at the heart of the monster is his duality. He has a very confused duality. He is at once man in his immaculate raise before the Fall (the Fall = evil), and yet the manifestation of evil itself. This is starting signal to sound like Victor Frankenstein. Abstruse dualityconflicting moviecould it be that the monster mirrors his maker in his duality? Of course, the other reason the monster turns on humans is because Victor was his last tie to humanity. The monster is one of many people in this text that is affected by loneliness, isolation, and an all around desire for companionship. Victor may have hate him, resented him, and tried repeatedly to eradicate him, but at least he talked to the monster. At least he recognized the monsters existence. And for a creature that spend most of his wretched life in hiding and exile, alone without anyone there for him, this can be pretty good reason to pursue Victor. grievous or bad, Victor is the only relation hes ever had and he tries desperately to cling to this relationship. Do we accuse him? Do we spite him? Do we enjoy him? Hes tenderhearted. He articulates well with others and he even rescues a little female child from a river. He just gets the cruelty and hatred because hes ugly. Can we pluck him if he lashes out in abrupt and absurdly violent shipway? From that moment he declared everlasting war against the species, and more than all, against Frankenstein who had organize him and sent him forth to this insupportable misery. (P. 99) This sounds like more clashing emotions. Could it be that we, the reader, feel the equivalent duality of emotions that the monster and Victor feel for each other? One more thing, what does it mean that the monster is made out of dead- individual pieces? If hes made up out of people, because hes essentially a person himself. But if theyre inert, then hes never really extant in the startle place. You could also say that, since hes an aggregate of human parts, hes also a conglomerate of human traits. This might show us the nature of his complex duality.Modern man is also Frankenstein, furthermore estranged from his creator-usurping the powers of God and irresponsibly tinkering with nature, full of benign purpose and malignant results. twain Frankenstein and the monster begin with hearty intentions and become murderers. The monster may seem more softhearted because he is by nature an outsider, whereas Frankenstein purposely removes himself from human society. When Frankenstein first becomes enthralled in his efforts to create life, collecting materials from the dissecting room and slaughterhouse, he breaks his ties with friends and family, becoming increasingly confined. His suffer reproaches him for this eliciting Frankenstein to ask himself what his single-minded pursuit for knowledge has cost him, and whether or non it is morally acceptable. Looking back, he concludes that it is not, contrary to hi s credence at the time, If no man allowed any pursuit whatsoever to interfere with the tranquility of his domesticated affections, Greece had not been enslaved Caesar would have spared his country America would have been discovered more gradually and the empires of Mexico and Peru had not been destroyed. (p. 35).Natural world is like Eden and leave behind be corrupted through too much knowledge (science). ProofBiblical creative activity of Knowledge man evicted from paradise for knowing too much Prometheus reined in by Gods novel written in Romantic era which upholds the determine that Progress is Dangerous and that there must be a publication to Idealized Past. Through Victor and Walton, Frankenstein represents human beings as deeply ambitious, and yet also deeply erroneous. The labors of men of genius, however erroneously directed, scarcely ever fail in ultimately turning to the solid advantage of mankind. (P. 29) Both Victor and Walton fantasize of transforming society and saving prestige to themselves through their scientific conquests. Yet their ambitions also make them ignorant. Blinded by dreams of glory, they fail to have the repercussions of their actions. So while Victor turns himself into a god, a creator, by bringing his monster to life, this only highlights his fallibility when he is ultimately inept of fulfilling the obligation that a creator has to its creation. Victor thinks he result be like a god, but ends up the progenitor of a devil. Walton, at least, turns back from his quest to the North Pole before getting himself and his crew annihilated, after earreach Victors tale about the devastating aftermath of pushing the boundaries of exploration. I will not lead you on, unguarded and ardent as I then was, to your destruction and infallible misery. Learn from me, if not by my precepts, at least by my example, how dangerous is the acquirement of knowledge, and how much happier that man is who believes his native town to be the world, th an he who aspires to become greater than his nature will allow. (P. 33) He learns from Victors tragedy. After Victor dies, he turns the ship back to England, trying not to make the same mistakes that Victor made in the obsessive want that destroyed his life, but he does so with the resentful conclusion that he has been deprived of the glory he originally sought.Frankenstein is an expostulation of humanity, specifically of the human concept of technical progress, science, and enlightenment, and a deeply humanistic effort full of empathy for the human state of our own condition. Victor is a brilliant, sentimental, visionary, and accomplished new(a) man whose studies in natural philosophy (p. 31) and chemistry evolve from A fervent longing to penetrate the secrets of nature. (p. 22). As the novel develops and the plot thickens, Frankenstein and his monster oppose each other and fight one another for the portraiture of the main protagonist of the story. We are inclined to identify wit h Frankenstein, whose character is esteem by his immaculate friends and family and even by the ship captain, who saves him, berserk by his pursuit for vengeance, from the ice floe. He is a human being, nevertheless. Notwithstanding, regardless of his addition ambition to Banish disease from the human frame and render man invulnerable to any but a violent destruction (p. 43), Frankenstein becomes manifold in a hostile pursuit that causes him to destroy his own well-being and shun his fellow-creatures as ifguilty of a crime (p. 35). His irresponsibility is the stimulant, the foundation of what causes the death of those he loves most, and he falls under the ascendancy of his own creation and fails to break free from the chains that bind him.Neither Victor nor Walton could clear themselves from their blinding ambitions, they made it seem that all men, and notably those who pursue to raise themselves up in renown above the rest of society and even god, are in fact impetuous and impe rfect creatures with feeble and incorrect natures. We can all learn from Victors last words to Walton, Seek pleasure in tranquility and avoid ambition, even if it be only the patently innocent one of distinguishing yourself in science and discoveries. (P. 162)